“No,” answered Joan. “But my mother was. Are you?” Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.!

“Is there no hope?” asked Mary. “Do I pose?” he asked, raising his eyebrows.

“Tell me,” asked Joan, “am I likely to meet with much of that sort of thing?” Joan had never known him quite so serious. Generally there was a touch of irony in his talk, a suggestion of aloofness that had often irritated her. “Oh, she’s going to break it off unless we all assure her that we find him brainy,” Madge explained with a laugh. “It seems her father wasn’t brainy and her mother was. Or else it was the other way about: I’m not quite sure. But whichever it was, it led to ructions. Myself, if he’s at all possible and seems to care for her, I intend to find him brilliant.”